Browse Title Index

Issue Title
Vol 1 (2009) '…that keen interest we have for the strange and the rare…': The Radio Broadcasts of Adelaide Composer Hooper Brewster-Jones (1930–1933) Abstract   PDF
Kate Bowan
Vol 1 (2009) 'Jangling in Symmetrical Sounds': Maurice Ravel as Storyteller and Poet Abstract   PDF
Emily Kilpatrick
Vol 10 (2019) 'Let's All Be Americans Now': Patriotism, Assimilation and Uplift in American Popular Song of World War I Abstract   PDF
Jane K. Mathieu
Vol 10 (2019) 'Where powers are boldly stirring, I counsel open war': Arnold Schoenberg and Music Criticism Abstract   PDF
Alexander Owen Carpenter
Vol 10 (2019) A note about discipline: analysis, performance, and birdsong Abstract   PDF
Michael Hooper
Vol 13 (2023) An Alternative Formal Function? James Webster’s Antiperiod and Classical Thematic Design Abstract   PDF
James MacKay
Vol 6 (2015) ‘Didjeri-dus’ and ‘Didjeri-don’ts’: Confronting Sustainability Issues Abstract   PDF
Robin Ann Ryan
Vol 8 (2017) ‘Kodava Hero’, ‘Appear Only Once Before Me’: The Assimilation of Internal Exotics in Indian Film Songs. Abstract   PDF
John Napier
Vol 11 (2020) Béla Bartók: Duke Bluebeard's Castle Abstract   PDF
Michael Ewans
Vol 7 (2016) Circular Breathing: Expanding Musical Possibilities for Flute Players and Composers Abstract   PDF
Angus McPherson, Carolyn Philpott
Vol 5 (2014) Coming Close: What an Interview Can Reveal About Creativity in the Contemporary Art Music Composer Abstract   PDF
Richard Adrian Willgoss
Vol 2 (2011) Composers’ Appropriation of Pied Butcherbird Song: Henry Tate’s “undersong of Australia” Comes of Age Abstract   PDF
Hollis Taylor
Vol 3 (2012) Contour, Motion and Gesture in Abstract Score Animation: a First Approach Abstract   PDF
Gerald Moshammer
Vol 6 (2015) Crowdfunding and Online Identity: Cashing in on Authenticity? Abstract   PDF
Claire Coleman
Vol 8 (2017) Darkness and Light: Handel's Rhetorical Vocal Writing in the English Oratorio Samson Abstract   PDF
Paul McMahon
Vol 2 (2011) Editing Symphony No. 1 by Robert Hughes: Problems to Solve Abstract   PDF
Joanna Catherine Drimatis
Vol 5 (2014) Filling the Gaps: What Research is Needed to Assist with Music Education Advocacy in Australia Abstract   PDF
Robin Sydney Stevens, Mandy Stefanakis
Vol 4 (2013) From Overt to Covert: The Changing Role of Cultural Commentary in Australian Operatic Repertoire 1990-2009 Abstract   PDF
Timothy John McKenry
Vol 1 (2009) Hop, Skip and Jump: Indigenous Australian Women Performing Within and Against Aboriginalism Abstract   PDF
Katelyn Sarah Barney
Vol 1 (2009) How On-line Social Networks are Redefining Knowledge, Power, Cultural Value, 21st Century Music-making and Higher Education Abstract   PDF
Paul Anthony Draper
Vol 12 (2021) If we are habits, nothing but habits, is music a feminist failure? Abstract   PDF
Sally Ann Macarthur
Vol 12 (2021) Introduction of a Protestant Choral Music Method to Melbourne’s Jewish Community: Raphael Benjamin and Joel Fredman Abstract   PDF
Robin Sydney Stevens
Vol 9 (2018) Johannes de Grocheio, the Ars musice and the Transformation of Chant Theory in the Late Thirteenth Century Abstract   PDF
Catherine Jeffreys
Vol 11 (2020) Love and Faith in the Theatre of Music Philosophy Abstract   PDF
Angie Joy Contini
Vol 13 (2023) Mahler and His Programs vis-à-vis Strauss Abstract   PDF
Joseph E. Jones
Vol 5 (2014) Mr Barbecue by Elena Kats-Chernin: The Raw and the Cooked Abstract   PDF
Helen Kathryn Rusak
Vol 6 (2015) Music and Environment: Registering Contemporary Convergences Abstract   PDF
Hollis Taylor, Andrew Hurley
Vol 11 (2020) Musical Practices in Early Melodic Death Metal Abstract   PDF
Benjamin Phillip Hillier
Vol 4 (2013) On the Limitations of Music Ecology Abstract   PDF
Brent Keogh
Vol 12 (2021) On the Spacetime of Auditory Sense Abstract   PDF
Brian Hulse
Vol 12 (2021) Reimagining the Double Bass: Lloyd Swanton and The Necks Abstract   PDF
Benjamin Phipps
Vol 7 (2016) Seeing Carlos Kleiber’s Vocalised Intentions Through the Pitch-Dynamics Motion Microscope Abstract   PDF
Gerald Moshammer
Vol 5 (2014) Similarity Continua and Criteria in Memetic Theory and Analysis Abstract   PDF
Steven Bradley Jan
Vol 2 (2011) Sound Theology: Musical Morality in the Opera Seelewig Abstract   PDF
Anthony Alms
Vol 13 (2023) Stenographic Music Notation as a Musical Memory Aid among Dulcimer Players in Switzerland’s Alpine Region Abstract   PDF
Yannick Wey
Vol 5 (2014) The Angevin Struggle for the Kingdom of Naples (c.1378–1411) and Politics of Repertoire in Mod A: New Hypotheses Abstract   PDF
Jason Stoessel
Vol 12 (2021) The Dramatic Structure of Zemlinsky’s Eine florentinische Tragödie Abstract   PDF
Michael Ewans
Vol 7 (2016) The Music Association of Ireland: Fostering a Voice for Irish Composers and Compositions Abstract   PDF
Teresa O'Donnell
Vol 3 (2012) The Power of the Virtual in Music Scholarship: Composing a Women’s Musical Future as a ‘Becoming-Other-Than-Itself’ Abstract   PDF
Sally Ann Macarthur
Vol 7 (2016) The Psychosocial Benefits of School Music: Reviewing Policy Claims Abstract   PDF
Alexander Hew Dale Crooke, Paul Smyth, Katrina Skewes McFerran
Vol 8 (2017) The Rhythm of Gregorian Chant: An Analysis and an Empirical Investigation Abstract   PDF
Dirk van Kampen
Vol 10 (2019) The songs for solo voice and piano of Meta Overman (1907-1993) Abstract   PDF
David Charles Wickham
Vol 6 (2015) The Wizard of Oud - A Case Study of Sydney-Based Oud Player Joseph Tawadros Abstract   PDF
Brent Keogh
Vol 11 (2020) The World of Cocos Malay Music and Dance: A Documentary Film on Performing Arts in the Cocos (Keeling) Islands Abstract   PDF
David R. M. Irving, Jenny McCallum
Vol 11 (2020) Towards a Chronology of the Chansons of Gilles Binchois Abstract   PDF
Michael Beauvois
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