| Issue | Title | |
| Vol 1 (2009) | '…that keen interest we have for the strange and the rare…': The Radio Broadcasts of Adelaide Composer Hooper Brewster-Jones (1930–1933) | Abstract PDF |
| Kate Bowan | ||
| Vol 1 (2009) | 'Jangling in Symmetrical Sounds': Maurice Ravel as Storyteller and Poet | Abstract PDF |
| Emily Kilpatrick | ||
| Vol 10 (2019) | 'Let's All Be Americans Now': Patriotism, Assimilation and Uplift in American Popular Song of World War I | Abstract PDF |
| Jane K. Mathieu | ||
| Vol 10 (2019) | 'Where powers are boldly stirring, I counsel open war': Arnold Schoenberg and Music Criticism | Abstract PDF |
| Alexander Owen Carpenter | ||
| Vol 10 (2019) | A note about discipline: analysis, performance, and birdsong | Abstract PDF |
| Michael Hooper | ||
| Vol 13 (2023) | An Alternative Formal Function? James Webster’s Antiperiod and Classical Thematic Design | Abstract PDF |
| James MacKay | ||
| Vol 6 (2015) | ‘Didjeri-dus’ and ‘Didjeri-don’ts’: Confronting Sustainability Issues | Abstract PDF |
| Robin Ann Ryan | ||
| Vol 8 (2017) | ‘Kodava Hero’, ‘Appear Only Once Before Me’: The Assimilation of Internal Exotics in Indian Film Songs. | Abstract PDF |
| John Napier | ||
| Vol 11 (2020) | Béla Bartók: Duke Bluebeard's Castle | Abstract PDF |
| Michael Ewans | ||
| Vol 7 (2016) | Circular Breathing: Expanding Musical Possibilities for Flute Players and Composers | Abstract PDF |
| Angus McPherson, Carolyn Philpott | ||
| Vol 5 (2014) | Coming Close: What an Interview Can Reveal About Creativity in the Contemporary Art Music Composer | Abstract PDF |
| Richard Adrian Willgoss | ||
| Vol 2 (2011) | Composers’ Appropriation of Pied Butcherbird Song: Henry Tate’s “undersong of Australia” Comes of Age | Abstract PDF |
| Hollis Taylor | ||
| Vol 3 (2012) | Contour, Motion and Gesture in Abstract Score Animation: a First Approach | Abstract PDF |
| Gerald Moshammer | ||
| Vol 6 (2015) | Crowdfunding and Online Identity: Cashing in on Authenticity? | Abstract PDF |
| Claire Coleman | ||
| Vol 8 (2017) | Darkness and Light: Handel's Rhetorical Vocal Writing in the English Oratorio Samson | Abstract PDF |
| Paul McMahon | ||
| Vol 2 (2011) | Editing Symphony No. 1 by Robert Hughes: Problems to Solve | Abstract PDF |
| Joanna Catherine Drimatis | ||
| Vol 5 (2014) | Filling the Gaps: What Research is Needed to Assist with Music Education Advocacy in Australia | Abstract PDF |
| Robin Sydney Stevens, Mandy Stefanakis | ||
| Vol 4 (2013) | From Overt to Covert: The Changing Role of Cultural Commentary in Australian Operatic Repertoire 1990-2009 | Abstract PDF |
| Timothy John McKenry | ||
| Vol 1 (2009) | Hop, Skip and Jump: Indigenous Australian Women Performing Within and Against Aboriginalism | Abstract PDF |
| Katelyn Sarah Barney | ||
| Vol 1 (2009) | How On-line Social Networks are Redefining Knowledge, Power, Cultural Value, 21st Century Music-making and Higher Education | Abstract PDF |
| Paul Anthony Draper | ||
| Vol 12 (2021) | If we are habits, nothing but habits, is music a feminist failure? | Abstract PDF |
| Sally Ann Macarthur | ||
| Vol 12 (2021) | Introduction of a Protestant Choral Music Method to Melbourne’s Jewish Community: Raphael Benjamin and Joel Fredman | Abstract PDF |
| Robin Sydney Stevens | ||
| Vol 9 (2018) | Johannes de Grocheio, the Ars musice and the Transformation of Chant Theory in the Late Thirteenth Century | Abstract PDF |
| Catherine Jeffreys | ||
| Vol 11 (2020) | Love and Faith in the Theatre of Music Philosophy | Abstract PDF |
| Angie Joy Contini | ||
| Vol 13 (2023) | Mahler and His Programs vis-à-vis Strauss | Abstract PDF |
| Joseph E. Jones | ||
| Vol 5 (2014) | Mr Barbecue by Elena Kats-Chernin: The Raw and the Cooked | Abstract PDF |
| Helen Kathryn Rusak | ||
| Vol 6 (2015) | Music and Environment: Registering Contemporary Convergences | Abstract PDF |
| Hollis Taylor, Andrew Hurley | ||
| Vol 11 (2020) | Musical Practices in Early Melodic Death Metal | Abstract PDF |
| Benjamin Phillip Hillier | ||
| Vol 4 (2013) | On the Limitations of Music Ecology | Abstract PDF |
| Brent Keogh | ||
| Vol 12 (2021) | On the Spacetime of Auditory Sense | Abstract PDF |
| Brian Hulse | ||
| Vol 12 (2021) | Reimagining the Double Bass: Lloyd Swanton and The Necks | Abstract PDF |
| Benjamin Phipps | ||
| Vol 7 (2016) | Seeing Carlos Kleiber’s Vocalised Intentions Through the Pitch-Dynamics Motion Microscope | Abstract PDF |
| Gerald Moshammer | ||
| Vol 5 (2014) | Similarity Continua and Criteria in Memetic Theory and Analysis | Abstract PDF |
| Steven Bradley Jan | ||
| Vol 2 (2011) | Sound Theology: Musical Morality in the Opera Seelewig | Abstract PDF |
| Anthony Alms | ||
| Vol 13 (2023) | Stenographic Music Notation as a Musical Memory Aid among Dulcimer Players in Switzerland’s Alpine Region | Abstract PDF |
| Yannick Wey | ||
| Vol 5 (2014) | The Angevin Struggle for the Kingdom of Naples (c.1378–1411) and Politics of Repertoire in Mod A: New Hypotheses | Abstract PDF |
| Jason Stoessel | ||
| Vol 12 (2021) | The Dramatic Structure of Zemlinsky’s Eine florentinische Tragödie | Abstract PDF |
| Michael Ewans | ||
| Vol 7 (2016) | The Music Association of Ireland: Fostering a Voice for Irish Composers and Compositions | Abstract PDF |
| Teresa O'Donnell | ||
| Vol 3 (2012) | The Power of the Virtual in Music Scholarship: Composing a Women’s Musical Future as a ‘Becoming-Other-Than-Itself’ | Abstract PDF |
| Sally Ann Macarthur | ||
| Vol 7 (2016) | The Psychosocial Benefits of School Music: Reviewing Policy Claims | Abstract PDF |
| Alexander Hew Dale Crooke, Paul Smyth, Katrina Skewes McFerran | ||
| Vol 8 (2017) | The Rhythm of Gregorian Chant: An Analysis and an Empirical Investigation | Abstract PDF |
| Dirk van Kampen | ||
| Vol 10 (2019) | The songs for solo voice and piano of Meta Overman (1907-1993) | Abstract PDF |
| David Charles Wickham | ||
| Vol 6 (2015) | The Wizard of Oud - A Case Study of Sydney-Based Oud Player Joseph Tawadros | Abstract PDF |
| Brent Keogh | ||
| Vol 11 (2020) | The World of Cocos Malay Music and Dance: A Documentary Film on Performing Arts in the Cocos (Keeling) Islands | Abstract PDF |
| David R. M. Irving, Jenny McCallum | ||
| Vol 11 (2020) | Towards a Chronology of the Chansons of Gilles Binchois | Abstract PDF |
| Michael Beauvois | ||
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