|
Issue |
Title |
|
Vol 1 (2009) |
'…that keen interest we have for the strange and the rare…': The Radio Broadcasts of Adelaide Composer Hooper Brewster-Jones (1930–1933) |
Abstract
PDF
|
Kate Bowan |
|
Vol 1 (2009) |
'Jangling in Symmetrical Sounds': Maurice Ravel as Storyteller and Poet |
Abstract
PDF
|
Emily Kilpatrick |
|
Vol 10 (2019) |
'Let's All Be Americans Now': Patriotism, Assimilation and Uplift in American Popular Song of World War I |
Abstract
PDF
|
Jane K. Mathieu |
|
Vol 10 (2019) |
'Where powers are boldly stirring, I counsel open war': Arnold Schoenberg and Music Criticism |
Abstract
PDF
|
Alexander Owen Carpenter |
|
Vol 10 (2019) |
A note about discipline: analysis, performance, and birdsong |
Abstract
PDF
|
Michael Hooper |
|
Vol 13 (2023) |
An Alternative Formal Function? James Webster’s Antiperiod and Classical Thematic Design |
Abstract
PDF
|
James MacKay |
|
Vol 6 (2015) |
‘Didjeri-dus’ and ‘Didjeri-don’ts’: Confronting Sustainability Issues |
Abstract
PDF
|
Robin Ann Ryan |
|
Vol 8 (2017) |
‘Kodava Hero’, ‘Appear Only Once Before Me’: The Assimilation of Internal Exotics in Indian Film Songs. |
Abstract
PDF
|
John Napier |
|
Vol 11 (2020) |
Béla Bartók: Duke Bluebeard's Castle |
Abstract
PDF
|
Michael Ewans |
|
Vol 7 (2016) |
Circular Breathing: Expanding Musical Possibilities for Flute Players and Composers |
Abstract
PDF
|
Angus McPherson, Carolyn Philpott |
|
Vol 5 (2014) |
Coming Close: What an Interview Can Reveal About Creativity in the Contemporary Art Music Composer |
Abstract
PDF
|
Richard Adrian Willgoss |
|
Vol 2 (2011) |
Composers’ Appropriation of Pied Butcherbird Song: Henry Tate’s “undersong of Australia” Comes of Age |
Abstract
PDF
|
Hollis Taylor |
|
Vol 3 (2012) |
Contour, Motion and Gesture in Abstract Score Animation: a First Approach |
Abstract
PDF
|
Gerald Moshammer |
|
Vol 6 (2015) |
Crowdfunding and Online Identity: Cashing in on Authenticity? |
Abstract
PDF
|
Claire Coleman |
|
Vol 8 (2017) |
Darkness and Light: Handel's Rhetorical Vocal Writing in the English Oratorio Samson |
Abstract
PDF
|
Paul McMahon |
|
Vol 2 (2011) |
Editing Symphony No. 1 by Robert Hughes: Problems to Solve |
Abstract
PDF
|
Joanna Catherine Drimatis |
|
Vol 5 (2014) |
Filling the Gaps: What Research is Needed to Assist with Music Education Advocacy in Australia |
Abstract
PDF
|
Robin Sydney Stevens, Mandy Stefanakis |
|
Vol 4 (2013) |
From Overt to Covert: The Changing Role of Cultural Commentary in Australian Operatic Repertoire 1990-2009 |
Abstract
PDF
|
Timothy John McKenry |
|
Vol 1 (2009) |
Hop, Skip and Jump: Indigenous Australian Women Performing Within and Against Aboriginalism |
Abstract
PDF
|
Katelyn Sarah Barney |
|
Vol 1 (2009) |
How On-line Social Networks are Redefining Knowledge, Power, Cultural Value, 21st Century Music-making and Higher Education |
Abstract
PDF
|
Paul Anthony Draper |
|
Vol 12 (2021) |
If we are habits, nothing but habits, is music a feminist failure? |
Abstract
PDF
|
Sally Ann Macarthur |
|
Vol 12 (2021) |
Introduction of a Protestant Choral Music Method to Melbourne’s Jewish Community: Raphael Benjamin and Joel Fredman |
Abstract
PDF
|
Robin Sydney Stevens |
|
Vol 9 (2018) |
Johannes de Grocheio, the Ars musice and the Transformation of Chant Theory in the Late Thirteenth Century |
Abstract
PDF
|
Catherine Jeffreys |
|
Vol 11 (2020) |
Love and Faith in the Theatre of Music Philosophy |
Abstract
PDF
|
Angie Joy Contini |
|
Vol 13 (2023) |
Mahler and His Programs vis-à-vis Strauss |
Abstract
PDF
|
Joseph E. Jones |
|
Vol 5 (2014) |
Mr Barbecue by Elena Kats-Chernin: The Raw and the Cooked |
Abstract
PDF
|
Helen Kathryn Rusak |
|
Vol 6 (2015) |
Music and Environment: Registering Contemporary Convergences |
Abstract
PDF
|
Hollis Taylor, Andrew Hurley |
|
Vol 11 (2020) |
Musical Practices in Early Melodic Death Metal |
Abstract
PDF
|
Benjamin Phillip Hillier |
|
Vol 4 (2013) |
On the Limitations of Music Ecology |
Abstract
PDF
|
Brent Keogh |
|
Vol 12 (2021) |
On the Spacetime of Auditory Sense |
Abstract
PDF
|
Brian Hulse |
|
Vol 12 (2021) |
Reimagining the Double Bass: Lloyd Swanton and The Necks |
Abstract
PDF
|
Benjamin Phipps |
|
Vol 7 (2016) |
Seeing Carlos Kleiber’s Vocalised Intentions Through the Pitch-Dynamics Motion Microscope |
Abstract
PDF
|
Gerald Moshammer |
|
Vol 5 (2014) |
Similarity Continua and Criteria in Memetic Theory and Analysis |
Abstract
PDF
|
Steven Bradley Jan |
|
Vol 2 (2011) |
Sound Theology: Musical Morality in the Opera Seelewig |
Abstract
PDF
|
Anthony Alms |
|
Vol 13 (2023) |
Stenographic Music Notation as a Musical Memory Aid among Dulcimer Players in Switzerland’s Alpine Region |
Abstract
PDF
|
Yannick Wey |
|
Vol 5 (2014) |
The Angevin Struggle for the Kingdom of Naples (c.1378–1411) and Politics of Repertoire in Mod A: New Hypotheses |
Abstract
PDF
|
Jason Stoessel |
|
Vol 12 (2021) |
The Dramatic Structure of Zemlinsky’s Eine florentinische Tragödie |
Abstract
PDF
|
Michael Ewans |
|
Vol 7 (2016) |
The Music Association of Ireland: Fostering a Voice for Irish Composers and Compositions |
Abstract
PDF
|
Teresa O'Donnell |
|
Vol 3 (2012) |
The Power of the Virtual in Music Scholarship: Composing a Women’s Musical Future as a ‘Becoming-Other-Than-Itself’ |
Abstract
PDF
|
Sally Ann Macarthur |
|
Vol 7 (2016) |
The Psychosocial Benefits of School Music: Reviewing Policy Claims |
Abstract
PDF
|
Alexander Hew Dale Crooke, Paul Smyth, Katrina Skewes McFerran |
|
Vol 8 (2017) |
The Rhythm of Gregorian Chant: An Analysis and an Empirical Investigation |
Abstract
PDF
|
Dirk van Kampen |
|
Vol 10 (2019) |
The songs for solo voice and piano of Meta Overman (1907-1993) |
Abstract
PDF
|
David Charles Wickham |
|
Vol 6 (2015) |
The Wizard of Oud - A Case Study of Sydney-Based Oud Player Joseph Tawadros |
Abstract
PDF
|
Brent Keogh |
|
Vol 11 (2020) |
The World of Cocos Malay Music and Dance: A Documentary Film on Performing Arts in the Cocos (Keeling) Islands |
Abstract
PDF
|
David R. M. Irving, Jenny McCallum |
|
Vol 11 (2020) |
Towards a Chronology of the Chansons of Gilles Binchois |
Abstract
PDF
|
Michael Beauvois |
|
1 - 45 of 45 Items |
|